Now that the Certificate of Merit music test is over, many of you may want to relax. However, this is the perfect time to solidify your progress in scales, chords, and pieces. Our goal now is to retain what we’ve learned, refine our approach, and integrate all aspects into a structured daily practice routine.
I would like to introduce the regular practice of certain scales, chords, and exercises into the daily practice routine of each student, with an accompanying chart to track progress over time.
Each student should present this work in every piano class, ideally within the first five minutes for regular presentations, with additional time as needed for new concepts, techniques, or materials introduced by the teacher.
To maintain steady progress, we should regularly work on pieces in three different phases:
Instead of working through these phases sequentially on a single piece at a time, we should aim to work in all three phases simultaneously—either by practicing different pieces at different stages or by working on sections of a larger piece at different phases. This approach keeps all essential skills active and prevents earlier learning from fading over time.
In our next class, we will set goals for scales and exercises, which should be played within the first five minutes of each lesson to ensure consistent attention without taking up too much class time. Additionally, each student will:
It is crucial to maintain regular practice and avoid "vacation mode." Without consistent effort, progress will stall, and students may struggle to present a high-quality performance by next month. We want to avoid spending a month on an old piece without meaningful improvement.
To support this structured practice, we will hold two recitals next month, two weeks apart. The recital will happen on Saturday, March 1st, and Saturday, March 15th. Students will have the opportunity to perform one or more of their Certificate of Merit pieces at a polished level, with recordings available for an online webpage. This format allows students to receive feedback and improve between performances.
To further motivate students, I propose that each student also perform one or more scales and/or exercises at the recital. This will provide an opportunity to compare progress, encourage friendly competition, and reinforce high standards of technical skill, hand positioning, and fingering.